November 12 - December 5, 2010
Opening reception with David Blackwood, Friday November 12, 7-10 pm
A catalogue is available on request.
For over five decades now, David Blackwood’s imagination has
hovered over the rugged coastlines of his beloved Newfoundland,
recording the landscape, the people, and the stories of Bonavista
Bay. His strangely beautiful images have come to represent to many
of us the essence of Newfoundland's history and traditional way of
life. Blackwood’s intense, long-distance relationship with his
childhood home is a rare phenomenon, especially when one considers
that he has lived outside Newfoundland since leaving it in 1959 to
attend the Ontario College of Art. I can think of few artists, from
any time or country, that have laid claim to a place so strongly,
and made it so completely their own. The power of this vision, and
the indelible impact of Blackwood’s imagery upon the Canadian
imagination, will be honoured with a major exhibition of his
etchings and related works organized by the Art Gallery of Ontario
in 2011.
Blackwood’s achievement as a printmaker has often been viewed
chiefly through the lens of history, and admired as a detailed
visual record of a traditional culture that was disappearing by the
1940’s - a map of a world now vanished. Critics have tended to
emphasize this connection to the past, without commenting on the
poetry found in his work. Yet the emphasis on history, heritage, and
the ‘documentary’ function of his work has always seemed to me to
overlook a central aspect of Blackwood’s art – its profound
spiritual qualities. If David has indeed been shaping a memorial to
the past (real or imagined) all of these years, he has also
expressed a spiritual dimension that transcends the particulars of
time and place. Behind the various constructions of memory and
history, beyond even the powerful desire to resurrect and pay
tribute to his own past, there is an archetypal significance to
Blackwood’s imagery that speaks of larger truths; an over-arching
suggestion of another order of reality hidden behind the fleeting
world of appearances.
This
awareness of the infinite is perhaps unsurprising, coming from an
artist whose seafaring family spent generations living on the vast
wilderness of the ocean, contemplating its limitless horizon through
the cycles of the seasons. The presence of the Deity was always
close at hand, powerful in the landscape. Blackwood’s conception has
more to do with faith than with religion; a combination of Methodist
teaching, primitive folk beliefs, archaic magic and ancient
superstitions. It’s an understanding of reality that accepts the
matter-of-fact importance of dreams and visions. This spiritual
mindset is evident from his earliest etchings (the almost
hallucinogenic visions of the Lost Party series), and is becoming
more clearly defined in his latest work. These new paintings expand
the variety of media and materials at Blackwood’s command and
demonstrate a master’s restraint, deftness, and sure judgment. The
Ephraim Kelloway’s Door works, in which so many of the artist’s most
enduring themes and concerns are now bound up, provide a remarkable
glimpse into the luminous mysteries at the spiritual core of his
art.
Our exhibition takes a retrospective look at the recurring image
of Ephraim Kelloway’s shed door; an unlikely subject that the artist
has continually addressed in various media since 1980. David’s
ongoing fascination with this humble object is without parallel in
contemporary art. His continued ability to draw decades of
inspiration from such an apparently slight motif tells us volumes
about the quality of his imagination, and about the sources,
intentions, and meaning of his art. We are proud to mark David’s
sixty-ninth birthday with this exhibition, and thank him for his
kindness, co-operation and support in putting it together. We would
also like to thank Ken Forsyth for his invaluable contribution to
the design and production of this catalogue and his assistance in
curating the exhibition.
Ineke Zigrossi, Director
View Images
from This Exhibition